| These Past
Few Months... |
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March
29, 2005:
Spring is here! It's been a long stretch of snowy weather,
and if you are anything like me you have been suffering from a
bad case of cabin fever. Even so, there have been some great
activities going on, including the Naya's Trance spring hafla
and the benefit show in Waterville.Now the skies and the roads are looking
a little clearer, and there are more exciting events
coming up - like the Maine Bellydance Festival in Saco, the
workshop with Mohamed Shahin in Portland, and the Aaminah spring
show in Bangor. See you there?
Enjoy!
March
6, 2005: Naya's Trance hafla in Portland
Nayas Trance
hosted a great dance party at the Maine Ballroom Dance Studio in
Portland. The audience was treated to a wide variety of
performances, from modern and funky to mystical and moving, as well as a buffet of
Middle Eastern specialties. Hip scarves, silk veils, and costume
pieces were on sale at the bazaar, and the participants and
audience alike had a wonderful time.
Mira
Azalea
Jessica Means
Jamileh
Adira, Samick, and Shahla of Naya's Trance

Shahla
MaryAnne
Kalyani
Ahnalya, Brigitte, Azalea, and Kalyani of Naya's Trance
March
19, 2005: Benefit Show and Hafla in Waterville
An amazing group of dancers from professionals to
"newbies" with eight weeks of dance experience
gathered in Waterville for a fun, energy-filled show.
Amity and the Thomas College Multicultural Club organized the
event featuring dancers from Waterville, Portland,
Bangor, Liberty, and Guilford. By the the end of the evening $380
had been raised for the Sahana
Project, an American-Sri Lankan tsunami relief fund. The
audience was treated to live drumming and solo and group dances
as well as spectacular Isis wings, candle tray, sword, cane, and
veil. Thanks
to all the performers for donating their time and talent: MC
Kahaz; soloists Amity, Tonya, Mira, Adira, Shahla, Jessica
Means, Tirzah, Samick and Najm, and Lorien; and group dancers Roxann Donahue's
Waterville class, Diana's Montville class, Mira's Waterville
class, the Thomas College Hiplash Dance Company, and
Nayas Trance.

Najm
on
doumbek
Shahla and Jessica Means

Tirzah
Adira
Encyeh

Amity
All photos of the
Waterville benefit show by Zach Kowalcyzk.
More of Zach's photos of the event
are posted here
and here
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| What's Ahead... |
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April
9, 2005: Maine Bellydance Festival in Saco
Hosted by Steven
and Lisa and featuring troupe and solo performances and vendors as well as mini-workshops
taught by Maine instructors and open dancing. Table seating, light snacks, cash bar, and a nice new dance floor!
Where: Holiday Inn Convention Center in Saco, ME
When: Saturday April 9, 2005 from 7 PM to midnight
Cost: $5
Email
Steven and Lisa Kouyoumjian or (better) call Lisa
at 207-459-7200
for more details.
April
15, 2005: "A Gypsy in Cairo" Dance Theater in
Arlington, MA
Johara's
Snake Dance Theater presents the story of a Turkish Gypsy who leaves her village in search of love and stardom on the Hollywood-inspired stages of
1950’s Cairo. The show features: Turkish Gypsy, Egyptian, and Fusion style dance choreography by Johara;
stunning group and solo dance performances by some of Boston’s
finest belly dancers; dramatic and comic scenes; colorful
oriental costumes; and a spectacular Hollywood-style finale.
Don’t miss this unique opportunity which brings belly dance out of the shadows and under the brilliant lights of the theater!
Where:
The Regent Theater at 7 Medford Street in Arlington Center
(just off of Mass Ave.)
When:
Saturday April 15, 2005 from 8 -10 PM
Cost: $25
For tickets call the Regent Theatre box office at
781-646-4849
For more information call Johara at 617-780-8890 or email
Johara
April
30, 2005: Belly-robics in Portland
Naya's
Trance will sponsor this 1-hour workshop with Emma
Holder.
This is a repeat of the class offered in February & March. People just can't get enough!
If you haven't tried it yet join us for this hour-long high energy class that will make you sweat while drilling your belly dancing skills! The class includes lots of movement to train cardiovascular stamina while strength training to build muscles involved with belly
dance. Please wear appropriate clothes (no skirts), bring a water bottle and a mat. Be ready to sweat.
Where: World Arts Bodywork & Movement Studio,
616 Congress Street in Portland, ME
When: Saturday April 30th, 2005 from 1 to 2 PM
Cost: $7 pre-registered or $10 unregistered (drop-in)
For more information click here
or contact either
Emma Holder at 415-7204 or Naya's
Trance at 318-0400
You can register (but not pay) for this workshop online here.
April
30 and May 1, 2005: Studio Shows in Brunswick
Jamileh will sponsor two student showcases at Bowdoin College.
Where: Kresge
Auditorium (Bowdoin College)
When: Saturday April 30th, 2005 at 6 PM and
Sunday May 1, 2005 at 2 PM
Cost: $3
For more information email
Jamileh or call her at: 207-773-2966
May 21, 2005: Workshop with Mohamed
Shahin of Cairo, Egypt
Jamileh
and the Center for Cultural Exchange present a workshop and
show with Mohamed Shahin, an internationally acclaimed performer and instructor of Egyptian Folklore
and Tanora. Mr. Shahin has worked with many famous for Egyptian Dance
including Hassan Afifi, El Gedawi Ramadan Group, and Mahmoud Reda Private
Group. He will be bringing his delightful style to Portland for one day
only. A wonderful opportunity to expand your repertoire beyond cabaret!
Where: Center for Cultural Exchange,
1 Longfellow Square, Portland
(Workshop venue to be announced)
When: Saturday May 21, 2005
Workshop I (Saidi): 10 AM - 1 PM
Workshop II (Fellahi): 2 PM - 5 PM
Cost: Both workshops + show:
$85 before May 7 or $95 after May 7
One
workshop: $45 before May 7 or $55 after May 7
Show
only: $15
For more information email
Jamileh or call her at:
207-773-2966
May 21
and 22, 2005: Workshop with Aziza in St.
John, N.B.
The Caravan Dancers
present Aziza
(of Portland Oregon & Montreal, Quebec) in Saint John, New
Brunswick for a two day dance workshop and Saturday evening
performance.
Where: Gothic Arches,
95 Wentworth Street, St. John, N.B.
When: Saturday May 21 and Sunday May 22, 2005
Cost: Two-day workshop + show: $170 (Canadian)
or $190 after April 30
One day
workshop: $85 (Canadian) or $95 after April 30
Show only:
$15 (Canadian)
To register or for more information, email
Ma'isha (Marilyn Paris)
or call her at 506-642-2772
June
4, 2005: Workshop with Alia Thabit in Bangor
Kahaz
Productions presents an three-hour afternoon workshop with Alia
Thabit
of Vermont.
Where: Union Street Brick Church in Bangor, ME (directions)
When: Saturday, June 4, 2005 from 11 AM to 2 PM
Cost: $35
Email
Kahaz or call her at 207-944-7510 for more details.
June
4, 2005: Aaminah Spring Show in Bangor
"A Night in the Casbah" hosted by the Aaminah
School of Dance and featuring performances by
dancers and groups from Bangor, Calais, and Waterville, as well as
Naya's
Trance of Portland and Alia
Thabit
of Vermont.
Where: Union Street Brick Church in Bangor, ME (directions)
When: Saturday, June 4, 2005.
Doors
open at 7 PM, show begins at 7:30 PM
Cost: $10 (open seating)
Email
Mira or Lorien
for tickets or for more details.
June
15, 2005: Studio Show in Portland
Jamileh will sponsor a student showcase at Portland High School.
Where: John Ford Auditorium
(Portland High School)
When: Wednesday June 15th, 2005 at 7 PM
Cost: $4
For more information email
Jamileh or call her at: 207-773-2966
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| Three
Questions... |
... For
Adira (Emma Holder):
Adira
is a beautiful dancer, massage therapist, fitness
trainer, member of the Nayas Trance
troupe, and a teacher of both belly dance and belly
dance fitness classes in the Portland area.
MEDiM:
When
did you begin dancing, and what inspired you to start?
Adira: When I was little, my family lived all over the world, as my father
worked in oil exploration. I don't remember much now, as we settled in
Canada when I was 6, but one of the places we lived was Turkey. My
parents brought back to Canada carpets, beautiful metal urns, and a
record with a green-costumed bellydancer. I learned how to use the
record player so I could play that record.
Many years later...
I started dancing when I moved to Boulder (1993). I had just finished my
Masters degree, and we went to Boulder so Dave (my then-fiance) could
start his. There is a thriving latin community there, and I learned
salsa, bolero and Cuban son from a really marvelous dancer called Carmen
Nelson. The rhythm just flows through her, it looks like she is floating
along effortlessly on the sound. When I moved to Portland (1997), I went
to a demonstration at the Full Circle Synergy school of Tai Chi and saw
Capoeira, Bellydance and Tai Chi demonstrations. The bellydance demo
given by Jeanne Handy and her students evoked the memory of the long-ago
record and dancer. I was hooked from then on. Since then, I have also
taken Argentinian Tango and Swing. (I have no idea how to dance ballroom.)
MEDiM:
What
aspects of the dance are most important to you?
Adira: Jinglies and Sparklies. Wheee!
But on a deeper level, I find this form of dance very healing. I have
noticed this effect in many women who try bellydancing. I started
bellydance for many reasons, but one of the biggest was to reconnect to
my center and my femininity. After surviving a health crisis from the
age of 23, I was living from the neck up - meaning intellectually, not
really in touch with my body and the signals it gave me. Since I started
dancing, I feel much more connected with myself. I see now how all human
interaction is really a dance with the other person, a form of body
communication, connection and signals, transmitting and receiving
information back and forth.
MEDiM:
Tell
us about your upcoming projects.
Adira: I am working on getting a few new projects off the ground. Along with
the troupe I belong to (Nayas Trance in
Portland), I have introduced a new class type called "Belly-robics".
Wow - fun fun fun! We had 18 people at the first one! It's an hour long class of
working out bellydance-style, and strengthening core muscles used in the
dance. we'll be doing it once a month (info and registration on the
Nayas Trance
website).
Recently, I have been intrigued by tribal costuming and accessories. I
taught myself how to make dreadlocks out of wool, and am also creating
some tassel belts. I'd like to give a couple of workshops later this
year in making head dresses and personalized tassel belts.
Thank
you for the interview, Adira!

Adira of Portland
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| Let
Us Know... |
... If you have anything you'd like to share with the Maine
Middle Eastern dance community!
Please send us:
- information about your upcoming
events
- articles
about your dance experiences
- how-to tutorials
- interesting
internet links
- descriptions of items to swap or
sell
- ideas
and feedback for this newsletter
by email to MEDiM.org
or post the information directly to the
MEDiM.org
Message Board
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| On The
Web... |
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This month's featured link:
Shira.net
A
reader recently suggested that I feature Shira's
website in this section, and it boggled my mind
that I hadn't thought of it before. It is a
comprehensive online resource which
offers:
-
Solid,
well-researched articles about many
different aspects of Middle Eastern dance
(history, belly dance styles,
travelogues...)
-
Advice,
tips, and "how-to"s for playing
finger cymbals, learning choreography,
bringing expression to your dance, going
professional, costuming, makeup, etc.
-
Articles
on Middle Eastern music and rhythms
-
Translations
of many classic songs (some with audio
clips)
-
Thorough
reviews
of belly dance-related books, instructional and performance
videos/DVDs, and music
-
Belly
dance-themed artwork, poems, and essays
contributed by various dancers
-
Contact
information for teachers and performers all
over the world
-
Links
to many other informative websites
And
there's plenty more - visit Shira's site and see
for yourself!
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| A Look Inside... |
...Making cover-ups
- by Julie Eason
Okay, I know you’ve been told a hundred times…bring a
cover-up! And I know you all know why
cover-ups are important. Right?
Well, just as a reminder,
cover-ups are an important part of your costume. As important as your bra or belt, I would say. If you are a performer, your performance is special, removed, set apart from your everyday self. Your audience wants it to remain special and apart. When you appear off-stage without something covering your costume, you destroy the illusion of the performance. Plus, anytime you wear your expensive costume without a
cover-up, you risk damaging it. Just running out to say “hi” to your mom could be disastrous if someone nearby spills a drink on you or you snag your fringe on a door hinge and spray beads everywhere five minutes before you go on.
Cover-ups are important, ‘nuff said.
I know they are always an afterthought and easy to forget. So, why not keep them permanently packed? I keep mine folded in my makeup case. It’s always there when I need it. I don’t have to remember to pack it. You could also keep it on a hanger in your garment bag or suitcase that you use to transport your costumes in. Or in your dance bag. Why not do it right now? Before you forget.
So, for those of you who are always saying “Gee, I really need to get/make one of those things.” And never do…..here are some ideas for
cover-ups you may already have in your closet: a graduation gown, a fancy bathrobe or housecoat, a
Halloween costume, a plus-sized dress. If any of these things are not already in your closet, head down to your local vintage or thrift store. You can get them there for a few dollars. Go couch-diving for change, if you have to.
Want to make your own? Have a few yards of fabric lying around your house? How about some old curtains or a light bedspread? Here’s how to make a simple
cover-up. Don’t tell me you can’t
sew… all you need is scissors!
1) Take 2 to 3 yards of fabric and fold it in half.
2) Now fold it in half the other direction. You should have a rectangle with one corner having two sets of folds. This is the center of the fabric.
3) Lay the folded fabric down. Starting at the center, measure out about 3 inches along one edge. Start cutting toward the other edge, aiming for about the same distance down from the center. Cut in a curve. If that’s too tough, cut a straight line, it doesn’t really matter.
4) So now you have a rectangle with the center corner cut out. You can stop here if you want. You have a cover up! Really. Take the fabric and open it up…Voila! Your standard Charlie Brown ghost costume. Stick your head through the hole in the middle and you’re done. If the hole is too small, cut it larger. Want to get fancy? Grab a scarf and use it for a sash.
5) Another option is to open up the fabric and cut down the middle of one long side so you can slip it on like a cape. The opening is in the front. You can keep it closed with a belt or safety pins if you don’t want to sew buttons or a zipper.
6) If you want to get fancy, you can sew up the sides about 2/3 of the way. Leave plenty of room for your arms to get through. Don’t want to sew, but do want the sides closed? Attach a button, hooks/eyes, snaps or safety pins to close the sides.
7) Make sure you finish all the edges by either hemming, or running some
"FrayChek" along the raw edges. You can also buy something called
“Stitch Witchery”. It’s an iron on tape that lets you hem things without sewing.
Okay, no more excuses for not having a
cover-up! Find one, make one, pack it away. Do it now, before you forget. Oh, and while you’re at it, why not pack
two? Just in case I forget mine.
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